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    The philosopher who foresaw alien life and paid with his life

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    He was a visionary philosopher who dared to challenge the established views of his time. He was burned at the stake for his heretical ideas, but he was right all along.

    Giordano Bruno was one of the most adventurous thinkers of the Renaissance. He rejected the traditional geocentric (Earth-centred) astronomy and embraced the Copernican heliocentric (Sun-centred) theory, which still maintained a finite universe with a sphere of fixed stars.

    But Bruno went even further. He proposed that the universe was infinite and populated by countless worlds, some of which could host life forms. He also taught a theory of the world in which all substances are part of a basic unity. He considered philosophy as the discipline of the elite and religion as instruction for the ignorant.

    His bold and original views anticipated modern science and cosmology, but they also earned him the wrath of the Catholic Church, which saw him as a dangerous heretic and a threat to its authority.

    Bruno was born in 1548 in Nola, near Naples, Italy. He entered the Dominican convent of San Domenico Maggiore in Naples at the age of 17, but he soon became disillusioned with the religious life and fled the convent in 1576. He travelled across Europe, lecturing and publishing his works on various topics, including memory, logic, magic and cosmology.

    He was influenced by the works of Copernicus, who had published his heliocentric theory in 1543. Bruno saw in Copernicus’s theory a starting point for his own “new philosophy”, which he called “the philosophy of infinity”. He wrote:

    “I have held and believed that this visible world is an image of the infinite God and that this image is not unique but multiplied infinitely… I have also believed that there is an infinite number of individual worlds similar to this one… I have also believed that every world has its own natural order… I have also believed that every world has its own inhabitants” (On the Infinite Universe and Worlds).

    Bruno’s cosmology was based on both reason and intuition. He argued that an infinite God could not create a finite world, and that an infinite universe was more perfect than a limited one. He also claimed that he had a mystical vision of the infinite cosmos, which he described as “a single living animal” (The Heroic Frenzies).

    Bruno’s ideas were revolutionary and controversial. They challenged not only the Aristotelian and Scholastic principles that dominated the philosophy and theology of his time, but also the biblical account of creation and the special status of humanity. He was accused of pantheism (the belief that God is identical with nature), atheism (the denial of God’s existence), and blasphemy (the disrespect or insult to God or sacred things).

    He faced several trials and persecutions by both Catholic and Protestant authorities. He was excommunicated by his order and by the Calvinist church in Geneva. He was imprisoned in Venice for eight years and then transferred to Rome, where he faced the Inquisition. He refused to recant his views and declared:

    “I neither ought to recant nor will I… I do not recognize any crime in myself… I do not know what you want me to recant” (Documents relating to Bruno’s trial).

    He was condemned as an “impenitent and pertinacious heretic” and sentenced to death by fire. He was burned at the stake in Campo de’ Fiori in Rome on February 17, 1600. His last words were:

    “Perhaps you pronounce this sentence against me with greater fear than I receive it” (Documents relating to Bruno’s trial).

    Bruno’s death was a tragic example of the intolerance and oppression that plagued his era. His works were banned and forgotten for centuries. But his legacy was rediscovered and celebrated by later generations of scientists and philosophers who recognized his visionary insights and contributions to human knowledge.

    He is now regarded as one of the pioneers of modern cosmology and a martyr for free thought. His statue stands in Campo de’ Fiori as a symbol of his courage and wisdom.

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